ROKC THE MOON
Peter Hawkesby, Reece King, Tyrone Te Waa
26/09/26 — 24/10/26
Peter Hawkesby, Reece King, Tyrone Te Waa
26/09/26 — 24/10/26
ROKC THE MOON
Peter Hawkesby / Reece King / Tyrone Te Waa
26 September – 24 October 2026
Peter Hawkesby was born in 1950 in Cockle Bay, Auckland, where the gutters were made of clay. He began making ceramics in the 1970s, developing an approach that ran counter to the wheel-thrown utilitarian orthodoxy of the period. Hawkesby moved to Tokyo in 1984. Returning to Auckland in the early 1990s, he ran the iconic Alleluya café in St Kevin’s Arcade for two decades before returning to full-time ceramic making in 2015. Scratch a Cenotaph, his first exhibition after this long hiatus, was held at Anna Miles Gallery in 2018.
Since then Hawkesby’s production has been prolific, picking up where he left off almost 30 years earlier. His major exhibition Tender Brick: The Material Epiphanies of Peter Hawkesby, curated by Richard Fahey for Objectspace in 2020, toured to Te Whare o Rehua Sarjeant Gallery, Whanganui (2021) and CoCA Toi Moroki, Ōtautahi Christchurch (2022). He subsequently relocated to Ōtepoti Dunedin, where he continues to work. Earlier this year his first exhibition at Dunedin Public Art Gallery, Suite 2026: Heart Basket and Other Work, opened. His work is held in public and private collections including Auckland Museum Tāmaki Paenga Hira, The Chartwell Collection, Dowse Art Museum, MTG Hawke’s Bay Tai Ahuriri, Te Papa Tongarewa Museum of New Zealand and Tūhura Otago Museum.
Reece King, born 1989, grew up at Te Henga on the west coast of Tāmaki Makaurau Auckland. A painter and wrangler of restless form, King was awarded the Frances Hodgkins Fellowship at the University of Otago Ōtākou Whakaihu Waka in 2025. His post-fellowship exhibition, The Ogee & Manaia, at Hocken Collections in 2026, took its title from hundreds of observations recorded in his studio notebook and the shared curvilinear form of an architectural ogee and manaia, a spiritual guardian figure.
King completed a Master of Design in Painting at Unitec Te Whare Wānanga o Wairaka in 2021. He was a founder of Sanc, the painter-run space that operated in Tāmaki Makaurau from 2020–2023. He has received the Eden Arts Karekare House Residency and the inaugural Church Road Art Initiative. His work was included in Aotearoa Contemporary, Auckland Art Gallery Toi o Tāmaki (2024), and is held in the collections of Auckland Art Gallery Toi o Tāmaki, MTG Hawke’s Bay Tai Ahuriri and Uare Taoka o Hākena Hocken Collections.
Tyrone Te Waa (Ngāti Tūwharetoa), born 1992, works across scales, from body adornment to installation. He likens his preparations for art-making to foraging before cooking, gathering found or gifted materials that are bound, knotted, felted and wrapped. In late 2026 his first work in bronze will open on the North Terrace of Auckland Art Gallery Toi o Tāmaki, supported by the Chartwell Trust and the Contemporary Benefactors of Auckland Art Gallery.
In 2021 Te Waa completed a Master of Creative Practice at Unitec Te Whare Wānanga o Wairaka. In 2022 he received an Arts Foundation of New Zealand Te Tumu Toi Springboard Award. Recent exhibitions include Essential Oils, Toi Tauranga Art Gallery (2025–26); He Ao Āpōpō, He Ao Tea: Māori Futures, Te Whare o Rehua Sarjeant Gallery, Whanganui (2026); Te Rūma Moenga / The Mattress Room (Memory Foam), Casula Powerhouse, Sydney (2024); How to Make a Home, Objectspace (2024); Aotearoa Contemporary, Auckland Art Gallery Toi o Tāmaki (2024); and Whetūrangitia / Made As Stars, Dowse Art Museum (2022).
Reece King, The Other End, 2026
Pastel and acrylic on canvas, 480 x 350mm
Peter Hawkesby, Moon Loop, 2026
Ceramic, 360 x 280 x 180mm
Peter Hawkesby, Galaxy M, 2026
Ceramic, 340 x 260x 110mm
Peter Hawkesby, Moon Being, 2026,
Ceramic and Te Whare o Rehua Sarjeant Gallery concrete and stone cores, 280 x 190 x 200mm
Tyrone Te Waa, Aunty Berry xx, 2026
Felted wool, eyes, sunglasses, synthetic wig, glitter, linen, cotton, twine, 590 x 210 x 200mm
Tyrone Te Waa, Uncle Karl, 2026
Timber, fabric, thread, 460 x 280 x 200mm
(at centre) Reece King, Marshall X, Y, Z, 2026
Reece King, Marshall X, Y, Z, 2026
Acrylic and enamel on canvas, 2000 x 1200mm
Tyrone Te Waa, Miss Tammy, 2026
Poly, redwood, bamboo skewers, micro shank, synthetic wig, paper, high gloss enamel and sealant, fabric, thread, tuhua, c1130 x 380 x 380mm
Tyrone Te Waa, Miss Tammy, 2026 (detail)
(at centre) Reece King, The Mission X, Y, Z, 2026
Reece King, The Mission X, Y, Z, 2026
Acrylic and enamel on canvas, 2000 x 1200mm
Reece King, Moth Eyes, 2026
Pastel and graphite on canvas, 385 x 300mm
Reece King, Mountain Mouth, 2026
Pastel and graphite on canvas, 450 x 355mm
Reece King, True Believer, 2026
Oil, pastel and acrylic on canvas, 355 x 490mm
Reece King, Scratch, 2026
Oil, pastel and acrylic on canvas, 485 x 360mm
Reece King, Interlude, 2026
Oil, pastel and acrylic on canvas, 460 x 345mm
Peter Hawkesby, Black Hole Revelation, 2026
Ceramic
Tyrone Te Waa, Te Wheke Hole, 2026
Felted wool, canvas stretcher, felted hook, mountaineering rope
Tyrone Te Waa, Te Wheke Hole, 2026 (from other side)
Peter Hawkesby, Jerusalem Moon One, 2026
Ceramic and sandstone core from Te Whare o Rehua Sarjeant Gallery, Ceramic, c200 x 220 x 170mm
Peter Hawkesby, Loop’s Galaxy, 2026
Ceramic, c360 x 280 x 180mm
Peter Hawkesby, Jerusalem Moon Too, 2026
Ceramic and sandstone core from Te Whare o Rehua Sarjeant Gallery, c200 x 220 x 170mm
Reece King, Every Rock is Different, 2026
Oil, pastel and acrylic on canvas, 345 x 400mm
Reece King, Modulator X, Y, Z, 2026
Acrylic and enamel on canvas, 2000 x 1200mm
Peter Hawkesby, Cup with stand, 2022
Ceramic
Tyrone Te Waa, Nanny Kui, 2024- 2026
Timber velvet thread polarised sunglasses* and micro-crystalline wax (*Please note: Kui’s polarised sunglasses not shown in this photograph)
All photographs: Samuel Hartnett